Steve McQueen was known for many things-- action films, fast cars, motorcycles, a charismatic presence (on screen and off), and his true `tough guy' persona. But with this film, another description moves to the top of that list: Actor. Anyone who doubts what a great actor McQueen was need only watch this film, because his performance here as Jake Holman is simply as good as it gets. `The Sand Pebbles, ` directed by Robert Wise, is the story of Holman, a sailor assigned to the U.S. Gunboat, `San Pablo,' stationed on the Yangtze River in China in 1926 (the sailors aboard are known as `sand pebbles'). It's primary function is to patrol the river and thereby establish an American presence in China, a country currently experiencing a period of political unrest and impending upheaval. It's a new assignment for Holman, and it suits him just fine; his job is to keep the ship's engines up and running, and because of the size of the ship, he's the only engineer-- it's just Jake and his engine. And that's the way he likes it. Holman is a loner by nature, and something of an iconoclast. At one point, when he is asked his opinion of American Foreign Policy and their presence in China, he simply says, `I don't mess with it. It's all look-see-pidgin, somethin' for the officers.' Eventually, however, Holman is nevertheless drawn into the conflict through a series of events that impact him beyond all personal resistance, the most significant being when American lives are threatened throughout China, and Holman and a landing party are sent ashore to protect and escort some missionaries back to the safety of the San Pablo. But at the mission, Holman discovers a way of life, the likes of which he's never known, and for the first time ever, he realizes a sense of belonging. And he likes it. For Holman, however, it may be too late; the political turmoil throughout the country has put the lives of everyone at the mission in peril, including a young missionary named Shirley Eckert (Candice Bergen), with whom Holman has made a connection he simply cannot dispel; for in Shirley, he discerns an innocence and a goodness that compels him, and in which he finds a welcome sense of fulfillment. So what began as a routine mission becomes a salient point in Holman's life, and he is faced with the most important decision he's ever had to make. This is the one for which McQueen should have won an Oscar. As Holman, he demonstrates an emotional range and depth that runs the gamut from almost boyish naivete to a world weary veteran of life who has seen and heard it all. Utterly convincing, he can say more with a slight incline of his head, a slow blink or shifting of his eyes than most actors could say with reams of dialogue at their disposal. He communicates with so much more than words, and there's meaning in everything he says and does-- he never wastes a line or a single moment. What he does with this role is magnificent; it's the definitive McQueen performance. His Holman is the personification of the loner, and in creating him he delivers something few actors could ever equal: He's tough, convincing and charming-- all at the same time. And he should've taken home The Statue for it. As Collins, the Captain of the San Pablo, Richard Crenna gives one of his finest performances, as well, and it cemented his transition from television actor to a career on the big screen. After this, there was no going back. His portrayal of the somber, introspective Captain is riveting, and in him you readily perceive Collins' sense of duty and honor, as well as his overwhelming sense of futility and failure. And the urgency with which he grasps his chance for redemption, even in the face of insurmountable odds, is entirely believable as it is consistent with the character he has created.The superlative supporting cast includes Richard Attenborough (Frenchy), Emmanuelle Arsan (Maily), Mako (Po-han), Larry Gates (Jameson), Charles Robinson (Bordelles), Simon Oakland (Stawski), Ford Rainey (Harris), Joe Turkel (Bronson) and Gavin MacLeod (Crosley). A powerful drama, extremely well crafted and presented by Wise, `The Sand Pebbles' is a great and memorable film that will forever stand as the pinnacle of McQueen's successful career. Jake Holman is a character you will never forget, because there is something of him-- that wistful longing to belong, perhaps-- in all of us. A timeless classic among classics, this is one of the greatest motion pictures of all time, and is by definition, the magic of the movies. I rate this one 10/10.
I am watching the DVD of "The Sand Pebbles" for the first time. I originally saw this film as a child, during its theatrical run. Even though I have watched the P&S VHS tape many times, the DVD takes me back to that unforgettable first viewing so many years ago. This film is the definitive example of how pan and scan (laughably called "fullscreen") is nothing less than a desecration of the work of those who make movies. Thank goodness there is finally a faithful transfer of this unforgettable story.I love movies, some much more than others. Even in the films that I love the most, the ones I consider "the best", I can always find flaws or weaknesses. I can not find a single thing to criticize in "The Sand Pebbles". The cinematography, as many others have noted, is exceptional. The detail of the sets, the ship, the costumes, the panoramic vistas, all are very convincing. As Crenna points out in the DVD commentary, there is no visual trickery, everything on the screen is real and three-dimensional. I have not read the source novel, and I am woefully ignorant of the political realities in China in this period, although I understand that the book was based on real incidents. The fact is, the story told here is compelling, and it does not matter to me how true to history it is, the world depicted in "The Sand Pebbles" is real and believable. Robert Anderson's script provides sufficient grounding in the political events to keep the audience engaged, without becoming all awkward exposition or political treatise. Of course, the characters express certain strong views, and therein the conflict arises.Robert Wise is a first-rank director ("West Side Story", "The Haunting", "The Sound of Music"), and his work here is superlative. This film is a blend of epic-scale scenes and intimate, poignant moments of emotional realism. The camera placement, the use of extras and props, the blocking of the actors, the use of natural light, the tracking shots of the boat, all are in service of the story. Wise lets that story breathe and the characters emerge, and the result is a three-hour movie. How ironic that the main criticism leveled at "The Sand Pebbles" is that it is "slow" and "boring". Excuse me, but this is called "character development", and it sets compelling moviemaking apart from the mediocre variety. The pacing is what draws you in to this world, where the actors can give their characters life and create empathy in the audience. I can only feel sadness for the modern, ADD-afflicted viewer who is trained to respond to manipulative tricks, and can not appreciate a realistic depiction of human behavior.Much has been said in these comments about the acting, and I agree with those who feel McQueen and Crenna stand out. The character of the captain could have been a rigid cliche, but Crenna gives us a person, a man to whom duty and service is everything, yet who is keenly aware of the needs and temperament of his crew, and who yearns to leave his mark in history. As for McQueen...his physical presence dominates the film. His understated style is perfect for Holman, a man who only wants to be left alone to do his work, and yet who will fight against injustices done to others. His facial expressions, especially in his eyes, allow us to share his thoughts and feelings throughout the movie. The most memorable element in "The Sand Pebbles" for me is the musical score by Jerry Goldsmith. Alternately stirring and heartrending, it complements each scene absolutely brilliantly, and is the most evocative score of any motion picture I have ever seen. Unfortunately, the 1966 Oscar went to "Born Free", a mediocre picture whose title song was a hugely popular hit.I feel privileged that I was able to see "The Sand Pebbles" in a theatre, where it is meant to be seen. This DVD version finally does justice to what I regard as an unparalleled achievement in filmmaking. There are other films that I have a stronger attachment to for various reasons, but none of them hit a home run in every department the way that "The Sand Pebbles" does."Water belong dead stim -all same dead stim"