7.4/10This movie was definitely a solid 7 and is absolutely worth seeing in theatres.The chemistry amongst actors was really good. I especially found that Mason Thames (Finney) and Madeline McGraw (Gwen) were adorable as brother and sister. Their relationship reminded me of the one I have with my sister so I was able to make the story more personal. Ethan Hawke was very methodical and creepy without getting too close to the extreme, but definitely could've reached even better heights of true discomfort. His chemistry with Thames worked really well for their interactions.The story was very engaging. Everything flowed so well that the hour forty-five minute runtime flew by. While it's in the title of the movie, the black phone was actually an uncomfortable aspect of the film because you never know when it will go off and the jump scares are perfectly timed to match. There was discomfort throughout the entire film, but it never hit the extremes it could've.If I had to relate this film to another of similar aspects it would have to be "The Kid Detective". However, instead of focusing strictly on the search for the missing person, we get the benefit of seeing the missing person suffer.Why should you go see this film? Because it's actually scary. So much so that those in the theatre actually jumped and a couple may have thrown an audible scream out. While the story could've been darker, for what were given it's actually pretty good. And like I said above the chemistry is really good. This film was not a disappointment and I suggest you go see if you want a good movie to watch.Thank you for reading my review. Tune in tomorrow for my review on "Elvis". Until next time.... Enjoy the show!
Ethan Hawke is at it again, I loved the vibe of the movie, director came in clutch with this movie, it was truly surprising. Didn't expect it to be even remotely good, when this movie does fully release in theaters please do watch it in the big screens you will not regret it, child actors are incredible. I thought i saw the whole movie in the trailers, oh boy I was wrong.
The Black Phone takes a while to get going but once it does it delivers plenty of tense moments without a complete reliance on jump scares with a consistently unsettling atmosphere and lots of satisfying moments of set up and pay off.Mason Thames and Madeleine McGraw are both terrific, carrying a lot of the film on their shoulders and ably rising to the task. Ethan Hakwe is really terrifying as the grabber, able to convey a lot despite being hidden under the mask for a most part.Scott Derrickson's direction is amazing, the film is constantly mobile to cleverly contrast the confined environment with plenty of 70s style. The music by Mark Korven is excellent, beautifully haunting and era appropriate. There's also a few solid needle drops.
A Scary Ethan Hawke And Terrific Young Stars Make This Thriller A Blumhouse Best....... As Universal's distribution head Jim Orr said in introducing Tuesday night's CinemaCon screening of the studio's upcoming late June release The Black Phone, studios don't normally bring a movie like this to show in its entirety at a theater-owners convention two months ahead of opening unless they know they have the goods. With this one reuniting producer Jason Blum and Blumhouse with director Scott Derrickson and co-writer C. Robert Cargill - all having worked together on 2012's Sinister - Universal does have the goods, and then some. Being marketed apparently as a horror film, with a poster dominated by a fully terrifyingly masked and horned Ethan Hawke, what this late 1970s-set movie really is about is the trauma of youth crossing from childhood into teen years, more appropriately falling into the suspense thriller category than the kind of standard horror the marketing seems to indicate. Hopefully audiences won't be put off by that approach, because this is a truly effective movie that defies easy description but should appeal to a wider crowd. It originally premiered at the 2021 Fantastic Fest and was planned for a January release but Blum and the studio felt it needed to be seen in theaters, thus the smart move to a prime summer slot and exclusive theatrical run.Based on the 2014 Joe Hill short story comparisons to Stephen King, and particularly It, will be inevitable, but The Black Phone marches to its own beat as we are introduced to its protagonist, young teen Finney Shaw (Mason Thames), an ace baseball pitcher who nevertheless finds himself subjected to constant harm by school bullies, as well as a single alcoholic father (Jeremy Davies) who is in over his head in raising Finney and his younger, foul-mouthed but quite religious sister Gwen (Madeleine McGraw). Gwen's psychic dreams are given credence by local authorities (if not her own dad, who physically abuses her and orders her to stop) when she is able to pinpoint an abduction of one of the Colorado town's young teen boys. The best movies of any genre are the ones that focus on character giving us a reason to root for them. These filmmakers put the thrills and chills (and there are many) in second position to favor advancing a story that also stands in as an allegory for the terrors of growing up and losing the innocence of childhood in a very dark world, this one inhabited not just by The Grabber, but also bullies who mercilessly beat up their fearful schoolmates, unhinged parents, and other realities of life. The Black Phone may also be known someday as a star-making film, with both Thames perfectly anchoring the story as Finney, a kid whose own awkwardness and eventual determination to survive has us cheering for him, and particularly McGraw, who steals every scene she has with a seeming ease that says this movie will not be the last we hear of her. She is a true standout.
I just got out of The Black PhoneMost people know I do not like horror movies, but who I went to the cinema with, does and I'm all about compromise (They things I'll do to have sex??)I loved it. It's currently in my Top 10 of the year. Mason Thames and Madeline McGraw own this movie. If you are doing a horror movie where the two leads are children, you better get your casting right, and man, they knock it out of the park. Ethan Hawke is also great in this, that's less of a shock though.The 70's setting, the jump scares (which I usually hate), the tension (I was that engrossed I forgot to open my bag of sweets), the score (amazing) are all used to great effect.