Let it Rain (2008)

Agnès Jaoui, Jean-Pierre Bacri, Jamel Debbouze, Pascale Arbillot,
Parlez-moi de la pluie is a movie starring Agnès Jaoui, Jean-Pierre Bacri, and Jamel Debbouze. Agnes Jaoui plays a local political candidate Agathe Villanova, who returns to her childhood home in the south of France in order to help...
  • 6.0 /10.0 IMDB Rating:
  • DatePublished:
  • 2018-09-07 Added:
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  • Jean-Philippe Andraca, Christian Bérard, Producer:


9 / 10

"We don't see France in the same way..."

Having been a huge fan of Jaoui and Bacri's films for many years, I have to admit I approach each one with a vague sense of trepidation in case they mess things up. I wasn't overly enamoured with their last film, Comme Une Image, as I felt Bacri's standard hapless-and-frustrated-but-ultimately-lovable character had become plain nasty and cruel. This time, I think they got it spot on all round. What I love about their films is that you can watch them again and again, taking something new from them with each viewing. Focusing on the minutiae of life whilst using delicate brush strokes to highlight the intricacies of human relationships via gentle but hilarious comedy is what they do best, and I found this film frequently hilarious. The actors are all superb, and the various characters give such a seemingly mundane story a depth not many films achieve, as French political life and its future are examined with a delicate touch by Jaoui, who credits her audience with much intelligence. The sight of an ambitious feminist politician leading a white middle-class man, a young French Arab and a flock of sheep down a hill, before the group get lost and are rescued by a pair of farmers, struck a chord with me, as did the relationship between Karim's mother and the bourgeois family for whom she works without being paid. There were some question marks, such as Karim's seemingly invisible wife he seemingly wants to cheat on when she herself appears affable and friendly, but overall it's a thought-provoking, entertaining and downright funny film.

7 / 10


The French are good at it. These conversation movies, there most of the action comes from the talking and there the people only exist through that.

Here we meet the high-heeled Parisian feminist, who according to the rules she keeps, has decided to have a boyfriend, decided to live alone, decided to have no children. A success story, worth a documentary to the old humbug disillusioned film-maker and the younger and more idealistic Karim of Arabian origin. By the way, Karim's mother works as a maiden in the household of the high-heeled feminist's sister.

This is funny and intelligent and not sensational. You won't remember it, but in some ways, you won't forget it either.

7 / 10

A very disappointing film from Jaoui and Bacri

Agnes Jaoui's films 'Le Gout des autres' and 'Comme une image' are among my favourites of contemporary French cinema. They're smart, well-written, understated comedies that get right under the skin of middle class relationships and neuroses. As such, this, her latest, is an enormous disappointment. The humour is forced and the characters are under-drawn - what is a relatively short movie felt very long indeed. The subtlety of Jaoui's previous films was completely missing - it's as if she's aiming for a much broader audience. Fatally, almost all of the characters are completely unsympathetic - the one exception is an old North African woman played by Mimouna Hadji. I really couldn't care less about these people, their failing relationships or their political ambitions because they just didn't ring true. I suspect that this is a film that will find a limited audience outside France.

3 / 10


This was a flat movie. It is, briefly, the story of two sisters, one an author/feminist who is considering going into politics, the other "just a sister," who seems just to sit at home with her boyfriend, who is sort of flat too. A has-been movie director convinces the would-be politician to sit for a series of interviews, which go poorly. In between we see a little of the director's life with his son - he is divorced and his ex has custody, so he doesn't see his son often. We see a little of the romantic/private life of the feminist, whose boyfriend feels like he has become unnecessary in her life and leaves her. We see that the two sisters evidently have some unresolved issues concerning their mother, who passed away the year before. The housekeeper also evidently has some issues with her ex, but they aren't explored either. Nothing really is, and yet this movie goes on for a long time, or so it seems.

There is no real character development for any of the characters. The dialog is not interesting. The few shots of Provence are nothing special. The movie, in short, is nothing special.