Goognight Mommy (\N)

Twin brothers arrive at their mother's house and begin to suspect that something isn't right. Remake of the 2014 Austrian film.
  • 5.6 /10.0 IMDB Rating:
  • DatePublished:
  • 2018-09-20 Added:
  • Writer:
  • Matt Sobel, Director:
  • Nicolas Brigaud-Robert, Valéry Guibal, David Kaplan, Producer:

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Trailer:

9 / 10

A very pleasant surprise! *no spoilers*

Toggling through the list of movies on Amazon Prime I discovered this film tonight. At the time of this review, the film was released to very little fanfare. The fact that Naomi Watts is listed in the list of credits peaked my curiosity as I had not seen her in any recent movies. Considering that the film only has 6 actors/actrices, I was not expecting too much. But the story was fantastic, containing plenty of twists and turns that will leave you guessing right up to the end. The director gives you plenty of hints of the path ahead and he leave it to the viewer to figure out what is exactly happening on screen. I was very pleasantly surprised to see the young actors, Nicholas and Cameron Crovetti, give such a believable performance! Seeing these young actors perform so well on screen makes me wonder what roles they will be offered in the future. It was great to see Naomi Watts be able to switch personalities, oscillating between the role of an evil, distanced mother to one who tenderly caresses her offspring. Her performance was quite good. I like how the director deliberately added a bit of pseudo horror elements to make the viewer guess what kind of genre of film he/she was really watching. I really hope other viewers will enjoy this film as well. I definitely did!

5 / 10

Goodnight Mommy Lite...

What would you do, if your mother felt like new, didn't act the way she should, behaved like mother never would, like a stranger in the house, makes you feel like a small mouse, quite aggressive and quite cold, not like the one you knew of old.

Elias and Lucas struggle to come to terms with their mother when she re-joins them after a period of hospitalisation. Taking matters into their own hands they explore a variety of ways to unmask their doppelganger and expose the truth.

A remake of a far more powerful Austrian film that avoids super glue, cockroaches and cats, to settle for a more palatable finale that ultimately quenches the dynamic and leaves it somewhat neutered, albeit well performed and passable.

6 / 10

American Remake Pulls Back on the Tension

It's not a shot-by-shot remake. Some visuals from the original (Austrian Version) remain, but they don't pack the same punch. While the twist in the remake did differ slightly from the original, it wasn't enough for Goodnight Mommy (2022) to stand more solidly on its own. The terror that's revealed in the Austrian version of the film is extremely exaggerated, but it gives the audience an idea of how obsessive familial ties can be and how dangerous ideas can take hold to shocking conclusions. Goodnight Mommy (2022)'s finale does not deliver that same shock.

Yes, the horror may be reduced. You can even nitpick at the twist that may be far from the original. Yet, Goodnight Mommy's surprisingly suspenseful journey and understated twist on the genre outweigh its faults. It's not especially memorable, but it's not bad either.

3 / 10

I See Overplayed Narratives

I am a big fan of the original; love the evil lurking in the "twins" the twist was executed perfectly!

Now with this watered down remake, ugh. From the start if you even half pay attention you've already figured out the "twist". The sound quality in the film is awful (lots of turning up to hear dialogue, turning down to not go deaf from the sounds), and like the majority of horror movies being released looks like it was shot in a basement with iPhone flashlights as their lighting.

Naomi and Cameron are both much better than the material they were given to work with and it was quite sad to see them being dragged through a DOA film.

4 / 10

Dumbed down American version

A shockingly dumbed down version for American audiences of an outstanding Austrian thriller, that lacks the impact, the brutality, the shock factor and the intelligence of its original. Instead you get the cinematic clichés, the sentimental overtones, the cheap musical dress-up and the spoon fed explanatory breakdown of a Hollywood style second class thriller. Watts is getting dangerously close to being typecast as the go-to actress for remakes, which can't be good for her legacy. The performances are fine overall nevertheless, are not sufficient however to even soften the crush that is the comparison between the two films. If you haven't seen any of them, do yourself a favour and watch the original without getting spoiled by this mediocre attempt of a crowd-pleaser.