Blade Runner 2049 (2017)

Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista,
A young blade runner's discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who's been missing for thirty years.
  • 8.0 / 10.0 IMDB Rating:
  • DatePublished:
  • 2018-09-07 Added:
  • Hampton Fancher, Michael Green, Philip K. Dick, Writer:
  • Denis Villeneuve, Director:
  • Broderick Johnson, Andrew A. Kosove, Producer:

All subtitles:



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Trailer:

9 / 10

Visually stunning and thought provoking, but not flawless

So, I didn't expect much from this sequel when it was announced, but since the original 'Blade Runner' is, in my opinion, one of the greatest movies ever made (if not the greatest), I had to see it anyways. As I often do, I didn't read any reviews or watch any trailers before going.

So, where do we start... While not perfect, and inferior to the original, this is still a great movie. Visually it's simply stunning and the actors are all excellent. Just as importantly, or maybe even more so, like the original it combines a slow pace and fantastic ambiance to create an introspective mood and invite reflection on some important themes and issues of our time. (although, maybe, lacking a dialogue with the same power as the Roy Batty monologue at the end of the first movie).

As some negative reviewers said, it is slow..... but that works well with the story and its intent to create a very clear, pervasive mood rather than to dazzle with dumb car chases, gunfights, or explosions,not to mention pushing the viewer to form his own opinions. The boringpart is subjective: for viewers who like to be challenged intellectually I'd say many action movies are a lot more boring. Nothing wrong with escapist movies, which I also enjoy when I'm in the right mood, but it doesn't change the fact that they're inherently much more predictable, superficial and formulaic. In other words, entertaining but intellectually boring.

Regarding Blade Runner 2049, one disappointment, though, to be honest, was the soundtrack: aside from being too loud, it really consists mostly of weird sounds/noises etc. While they do heighten the mood at times, or fit the atmosphere, they are not really not up to the lofty standards of the photography, the action, or the direction.

Also, the plot could have been a little tighter, and while the slow pace is what this movie needed, I'm not convinced it really had to be this long (or to touch on so many themes, as it does).

Still, it's a fantastic, and unique, viewing experience, and even with its imperfections it does create a believable (if gloomy and depressing) dystopian vision of the future, and touches on themes that could spark endless debate and reflection. And herein lies its beauty: shallow popcorn movies will have faded from everybody's memory in weeks. A movie like Blade Runner 2049 will inspire us and challenge us,whether we agree with some of its vision or not, maybe even whether we love it or hate it, for years to come.

10 / 10

Blade Runner 2049 - Movie Review: A New-Age Sci-Fi Classic

For film fanatics like myself, Blade Runner 2049 is a great film for people to see, regardless if they've witnessed the original or not. On the other hand, if you've never seen the original Blade Runner and are just a casual moviegoer that have thought of the promotion for this film as being an action-packed thrill ride, then I'd have to warn to stay far away from this near three hour motion picture. It's very hard to review this film without getting into specific plot details, but that's exactly what makes this film worth the price of admission alone. For nearly every reason a film fan should be excited about a movie, here is why Blade Runner 2049 is a must see as soon as possible.

Before dropping you into this world with Ryan Gosling's character, there is text at the beginning that will fill you in on the history of the events in the past, but even though that information is given to you, your experience just won't be the same without having viewed the first film multiple times and remembering the emotional core of it. Set out on a mission to find something of meaning to the overall story, Ryan Gosling's character (who will remain nameless for the sake of this review) uncovers mysteries and secrets from the past, inevitably involving Rick Deckard. Quite honestly, that's the plot in a nutshell and the specifics of the film will lead to ruining your experience, so let's get technical.

If not for anything else, Blade Runner 2049 benefits from some of the best cinematography I've laid my eyes on in years. From the addition of the seamlessly blended visual effects, to the mind- blowing scenery constructed by the entire art department, I have nothing but praise for this film. Whether or not you find yourself enjoying your experience, the visuals alone should have you applauding, due to their incredibly detailed nature. I personally found the overall film to be magnificent, but when certain scenes were dialogue-free and asking you to gasp at the imagery, that's exactly what I was doing, as I feel many audiences members will.

Again, without giving anything away, once Rick Deckard (Harrison Ford) enters the picture, the way both films sort of interconnect was brilliant in my opinion. It does justice to any loose ends that fans may have wanted in the past, as well as create a new story to gawk at in the process. With a terrifically restrained performance by Ryan Gosling, you'll find yourself sucked into this world as a fly on the wall, as he uncovers these mysteries. With the addition of Harrison Ford giving one of his most sincere and memorable performances, as well as Ana de Armas in a role that really took me by surprise, this film was casted to the nines from beginning to end. Some may complain about Jared Leto and Dave Bautista not being included as much, but I felt as though the served the story quite nicely.

In the end, this movie aims to impress Sci-Fi fans across the world, but I feel as though the people who will be looking back on this as a possible classic or at least one of the best sequels ever made, are those who've had the pleasure of indulging in the greatness that is 1982's Blade Runner. I don't say this about films very often, especially when talking about sequels, but I haven't been this immersed in a theatrical experience in quite some time. This is definitely a superior film than the original, it's one of the best films of 2017, and I'll be revisiting it very soon. Blade Runner 2049 is getting a lot of praise and awards consideration from critics and filmgoers across the world, and every bit of it is deserved. Aside from being very long, this is pretty much a perfect film if you don't try to nitpick how it connects and certain questions that aren't blatantly answered. If you know what type of film you're in for, or you've at least seen the original and enjoyed it, I can't recommend this movie enough.

7 / 10

One of the best sequels of all time

Denis Villeneuve, you magnificent world wonder, you did it again!

I have seen this film three times in the cinema, in 3D, 2D and 4DX.

And one of the things i have noticed with this film, is that it's not the time in the cinema that takes up my time, It's the hours upon hours in between spent thinking about the film, that is the real time consumer. This film left such a deep and profound impact, which i cannot escape. And I've gone back to the cinema twice to be "tortured", but it's worth it.

It's a dark, mysterious, grim, hopeless, sad and lonely film, set in a possible near future where the human race is hanging by their fingertips on the edge of doom. So it's quite depressing. But it's so brilliantly put together, the closest master of cinema i think of that has done something similar, is Stanley Kubrick.

Many Stanley Kubrick films were also "hated" by many when they first released. "2001: A Space Odyssey" for example, which had gorgeous visuals, but felt flat and hollow for many, even professional reviewers back then. But what Kubrick did best with his films, was to create afterthought. People left the cinema feeling confused and even depressed, but the movies planted a seed which then grew for years. The original Blade Runner also accomplished this. BR2049 is no exception, this movie will without doubt live on to be interpreted, analyzed and discussed for decades to come. The story continues from the original, but stands completely on it's own, it tells a new story that directly interlink with the original, but without trying to be a copy, it's a natural continuation in the same universe. You don't have to see the original Blade Runner first, though i do recommend it, see the final cut.

BR2049 has some of the most gorgeous visuals i have ever seen, and the cinematography is out of this world, there is literally no excuse not to give Roger Deakins the Oscar this time. After 13 nominations he has now knocked the ball out of the park and is this year in his own league entirely. It's confusing to look at something so gorgeous, whilst painting a picture of such a sad and lost world. It sort of collides with your senses, your eyes say it's beautiful, your mind say it's depressing. Which senses are you going to believe? What does it mean? At least don't confuse feeling depressed as a sign that this movie is bad, it's nothing wrong feeling depressed, take it in, embrace it. Then you will know how it feels to be a replicant that's trapped in a caged mind.

BR2049's story happens 30 years after the original, and there is three short films on Youtube i recommend you watch. These short films describes some of what happened in between 2019 and 2049. Watching them makes it slightly easier to understand some of the things going on. But the underlying theme is the same as it was in the original. What does it mean to be human? What does it mean to have memories? What is a soul? And so on.

The world has gone darker in 2049, climate is spinning out of control, almost all animals and plants have died. People are desperate and lost, law enforcement can barely keep anything together, and only a small spark can set of total disaster, which is looming just around every corner. Niander Wallace has taken over Tyrell Corp and has by the time 2049 takes place designed millions of obedient replicants that does exactly what he tells them to do. But there is one thing Wallace has not been able to perfect, and that's what the main story is all about, and Wallace will do anything in his power to get his hands on the "technology", which will result in him becoming many hundred times richer and more powerful, the sole ruler of the entire universe. He is so far gone in his mind by 2049 he actually believes he is god himself, and he calls his replicants angels.

And of course he also uses replicants to do his "dirty work". In 2049 we meet his right hand "girl" Luv (Brilliantly played by Sylvia Hoeks, if there is one actor in this movie that steal the show, it's her). Luv is a "handygirl" so to speak, that perform whatever task she is set to do, with no remorse. Or is that entirely true? I can't spoil anything, but look closely at Luv's character arc. All the other actors also do an outstanding job in this film, no bad performances, but i can't talk about all of them due to the word limit in these reviews.

Be prepared going to see this film, it's depressing and heavy on your mind, and it demands your full attention. It's one of those rare films who dares to challenge the audience, and by doing so, taking a huge risk, and a 155 million dollar risk at that. The film isn't perfect, but it's close, and it shows the tremendous skills of Denis Villeneuve. And those few mistakes this movie have, are probably just happy little accidents as Rob Ross would have put it. This film is very much like a painting, every stroke of the brush matters, and every little detail is carefully crafted, it takes monumental skills to pull it of.

I loved this film, it's the best film I've seen all year, It is a must see, a monumental triumph of a film that's just as good (possibly even better) as the original and one of the best sequels of all time!

9.7/10 - Masterpiece

And BTW Villeneuve's next movie might be Dune, imagine if he brings Deakins and the rest of this team to make that movie. Yeah, I'm going to leave you with that thought. This is basically porn.

5 / 10

A sleek, expensive and obedient skin-job

Blade Runner (1982) was a happy (yet gloomy) accident, involving: a) a young and ambitious director who fought ferociously with studio executives in order for them to let him fulfill his vision; b) a rising blockbuster star who wanted to prove he can also act in a serious movie; c) a crazy Dutch actor who decided to change the script and improvise one of the most memorable monologues in film history; d) a bunch of talented artists who wanted to make a movie that would look and sound different from anything else we had seen before. And most of all, e) a post-Vietnam turbulent era when Hollywood rebels like Coppola, Scorsese and Cimino were audaciously attempting to reinvent the language of cinema, telling stories that mattered and not caring at all about target audiences and marketing trends. As a result, Blade Runner was a box office failure that slowly became a legend, breaking stereotypes like "good guy kills bad guy at the end" and dealing with existential agony on an almost metaphysical level; always within the context of a gritty corporate dystopia in the near future.

Blade Runner 2049 is none of these things. On the contrary, it's the flawed triumph of a next generation of studio executives, who control the creative process by paying millions to the industry's best of the best, providing they will make something that will take advantage of a successful brand name in order to bring profits to shareholders. If there is one word to describe this movie, it's "replicant". Not the kind of replicant who realizes that "all those moments will be lost in time, like tears in rain" as he dies, but a sleek, expensive and obedient skin-job that will try to entertain you and if it succeeds will return as a sequel that will eventually become yet another franchise. I spent 160 minutes of my life watching a pleasant and perfectly constructed piece of nothing, and I didn't care for a moment about any of the characters or a storyline that was designed without the intention to question and redefine a single thing. All its moments have already been lost in my memory, while the original Blade Runner remains vivid in my mind, as if I only saw it yesterday.

10 / 10

A visual masterpiece

Let me start by saying that I am a huge Denis Villeneuve fan and absolutely love every movie he made, from his breakthrough drama 'Incendies' to the action thriller 'Sicario'. But when I learned that he was going to make a sequel to Ridley Scott's iconic Blade Runner I had mixed feelings. Would he be able to live up to the expectations and make a sequel that could measure itself with the original? For this reason, I went into the cinema thinking ''This will be a great movie, I am a Villeneuve fan so I have to like it'' but that was a mistake, for once I stopped expecting and just started experiencing the film, I was enchanted by all of its visual beauty. I was wrong to doubt Villeneuve; his 'Blade Runner 2049' even succeeds in transcending in some ways the original masterpiece, especially as a visual experience.

The bleak dystopian future Scott so perfectly created is even more beautiful in Villeneuve's 2049, for which a lot of credit has to be given to the brilliant director of photography Roger Deakins, who has made one of his best works (which says a lot). Every shot is brilliant, I loved every single frame and I cannot imagine that he wouldn't get nominated and win an Oscar for this phenomenal work. But also a big thumbs up has to be given to the entire effects team, for Deakins didn't do it all on his own.

Deakins isn't the only mastermind at work, for the score is also beautifully done. When I learned that composer Jóhann Jóhannsson (someone who has collaborated multiple times with Villeneuve and did most of the scores for his movies) got fired I was surprised; Jóhannsson has always delivered great work, but according to Villeneuve, his score ''wasn't the right one'' for this movie for it didn't ''resemble Vangelis soundtrack for Blade Runner'' quite enough. So he got replaced by probably the best man in the business nowadays; Hans Zimmer. And as we are used to with the German composer, this was once again sublime and a great homage to the original. Zimmer's 2049 score can be compared to his Dunkirk score, in a way that it unsettles us from the first chord and just as the Second World War movie, it keeps us on the edges of ours seats, especially during the last hour.

As for the people who are actually situated in front of the camera, they all play their parts very well. I was especially happy that Ryan Gosling's agent K was indeed the leading man and he did a very good job. I was slightly concerned that it would mostly be about Harrison Ford's Deckard, but luckily that wasn't the case. Nevertheless, Ford gives one of his best performances in years and after all the iconic roles he played once again in recent years (Han Solo, Indiana Jones) this is by far the best. The smaller but important roles are also noteworthy; Robin Wright's Lieutenant Joshi makes a fierce and convincing police chief, while the villain duo Jared Leto's Neander Wallace as the evil head of a corporation at the top of the new world order and his frightening hit-woman Luv (Sylvia Hoeks) are also very impressive. Last but not least, Ana de Armas is also very good as Joi, K's girlfriend (even if she does remind me a lot of Scarlet Johansson in 'Her' and slightly of Alicia Vikander in 'Ex Machina', but maybe that's something Villeneuve did that on purpose and wanted to pay homage to these recent but also very good science-fiction movies).

That said, Villeneuve will receive most of the credit, as he should. For unlike most of Hollywood's blockbusters nowadays, he doesn't simply deliver us a spectacle with some nice effects or a reboot of the original, but he picks up the threads where Scott left, which was a monumental task, for the original 'Blade Runner' is one of the most impressive and iconic movies ever made. 2049 continues on the same topics raised by the original, making the sequel worth the 35-year long wait; it goes further with what was proposed in the first installment, enriching one another. It is possible that one day a third installment could be made, but that is only if any director will ever find the courage to make another 'Blade Runner', for the bar is raised incredibly high. I believe that in time, 'Blade Runner 2049' will just as the original one, grow into a cult movie, and rightfully so, for it is its own movie, but, just as the original, a visually remarkable, achingly human sci-fi masterpiece.

I am not going to say more about it, because the studio has been unusually insistent in its pleas to critics and the first movie viewers not to reveal any plot points, but I am glad they did. Even if I could go on and on about the movie and the difference between replicants and humans (or is there really much of a difference, after all?) the less you know the better, because 2049 feels at its best when it surprises (which is one of Villeneuve's greatest strengths). This is a movie best experienced on the biggest screen in your cinema; trust me, it will be worth your while. As for me, I will most likely try and make some free time in my schedule for the coming days, 'cause I want to go the cinema again, guess what I'm gonna watch...